At the beginning of February, I challenged myself to read selections from one lit mag every day for the entire month. As with most goals, I didn’t end up reading lit mags *every* day, but I did read a sampling. Here’s what I learned from this reading challenge: Continue reading
In Hunger: A Memoir of (My) Body, Roxane Gay explores the interconnectedness between her rape, trying to feel safe in her own body, and gaining weight. Gay writes: “This is a book about my body, about my hunger, and ultimately, this is a book about disappearing and being lost and wanting so very much, wanting to be seen and understood. This is a book about learning, however slowly, to allow myself to be seen and understood.”
Gay holds nothing back. As she says: “I’ve been forced to look at my guiltiest secrets. I’ve cut myself wide open. I am exposed. That is not comfortable. That is not easy.” She isn’t hyperbolizing here—this memoir digs deep into her self and her body. As a reader, I was initially uncomfortable being drawn into such a personal story, but Gay handles this intimacy well. She lays it bare without giving gratuitous details—she says it’s still hard to talk about. I can see why. It’s hard to read about the terrible thing that was done to her and how she’s still healing from it, but it’s important to read in order to understand Gay’s narrative throughout her memoir and the effect that these things have on women on a societal level. Continue reading
As an editor, writer, and book lover, I’m always looking for excuses to buy and read new books. I’ll be attending the ACES 2018 editing conference in Chicago this year, so I decided to find out whether any of the people presenting sessions had recently published books. Surprise surprise, they have! Some books are related directly to the presenters’ ACES sessions, and some aren’t. Here are six books by ACES 2018 presenters to add to your to-read list before attending their sessions in April: Continue reading
Such Small Hands by Andrés Barba is a haunting novel about a little girl, Marina, who is sent to an orphanage after her parents die in a car crash that she survived. The other girls at the orphanage, however, aren’t so welcoming. They want to love her, but cannot; Marina wants to be accepted by them, but isn’t. Barba explores the inability to communicate and the heightened reality of childhood as his characters cannot break out of their fated roles and barrel on toward inevitable tragedy. It’s a short book at 97 pages, but the prose, mood, and intense characterization gripped me long after I put it down. Continue reading
In January, I copy edited my first full book manuscript. Naturally, it was an exciting moment for me as an editor. I had prepared for the edit for a few months, but I didn’t know quite what to expect when I sat down to copy edit 46,000 words within one week for the first time. I learned a few things that will make my next book project easier to tackle.
Here’s what I learned (and some things I wish I did) while copy editing my first book manuscript: Continue reading
I have a confession to make: Since November, I’ve been regularly submitting the few pieces of my writing that are polished enough to send into the world to lit mags. But rarely, so rarely, have I actually…read…lit mags.
It’s terrible. Around 75 percent of lit mag submission guidelines suggest that writers read the magazine to get an idea of what the editors like. This makes sense. But I haven’t done it.
I have no excuses, really. I like reading, I intend to support lit mags, and I want to find the best places for my writing.
So I’ve decided that in February, it’s time to actually read lit mags. Continue reading
Bookstores are my weakness, and quite unfortunately, I was recently subjected to several tempting multi-level, well-stocked London bookstores. Reader, it was terrible. As I threw more and more books into my arms (and eventually into shopping baskets), I tried to think of some constraints to narrow down which books I would allow myself to buy. I decided upon a few rules to guide my British book buying:
- I could buy books that weren’t available in the United States yet.
- I could buy books that had sucky U.S. editions but fabulous U.K. editions.
- I could buy books that were significantly cheaper in the United Kingdom than the American Amazon prices.
- I was required to buy the complete volumes of Roald Dahl’s short stories, because gah.
I just finished copy editing my first full book manuscript. After I had read through the entire thing, I was searching for “their” to check agreement, and I came across a sentence that was missing a word.
I stared at my computer in horror and blathered incoherent noises for a minute.
Later, as I was doing a final scroll-through of the Word document, I spotted an “every” that should have been “ever.” Oh no! I fixed it, obviously, but the negative thoughts rushed into my head: The manuscript is probably riddled with errors—egregious, noticeable errors—and I will be found out and never trusted with a book manuscript again. I’ll be stuck editing blogs until I go blind.
But then I remembered a very important lesson that I’ve had to teach my perfectionist self: Editors can’t be perfectionists. Continue reading